yes
(Source: fuckyeahmovieposters, via mean-streak)
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Required listening for your Monday morning — the great Jonathan Lethem interviewed by the similarly great Andy Zax about Lethem’s new Fear of Music tome (for the ever-great Los Angeles Review of Books). The above-linked radio ad (sadly just an excerpt) is, I believe, the very same one discussed at length at the start of the book. Anyone have the complete version of the ad? I’m sure Andy does.
Want.
(via postpunk)
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So does Yankee Hotel Foxtrot justify the controversy, delay and buzz? Everyone, I think, already knows that the answer is yes; all I can offer is “me too” and reiterate. And after half a year living with a bootleg copy, the music remains revelatory. Complex and dangerously catchy, lyrically sophisticated and provocative, noisy and somehow serene, Wilco’s aging new album is simply a masterpiece; it is equally magnificent in headphones, cars and parties. And as anyone who’s seen the mixed-bag crowd at Wilco shows knows, it will find a home in the collections of hippies, frat boys, acid-eating prep schoolers, and the record store apparatchiks of the indiocracy. No one is too good for this album; it is better than all of us. — Brent Sirota, getting it right on Wilco’s Yankee Hotel Foxtrot in Pitchfork upon its release. The record came out 10 years ago today. (via Kiehl)
(Source: crumbler)